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Dia de Finados or Dia dos Mortos

O Dia de Finados, or Dia dos Mortos (also known as the Roman Catholic, All Souls Day), is celebrated as a national holiday every year on November 2. In Brazil, Finados is considered a national holiday. The day is meant to honor loved ones who have died. Many Brazilians will visit the cemeteries where they will leave offerings of flowers and light candles for their loved ones. Some also sing hymns and pray for the souls of the dearly departed. Others use the day to hold a cookout and invite friends and family over for gathering.

Unlike in Mexico’s Dia de los Muertos, Dia de Finados in Brazil, is not celebrated as a party. Finados is a somber day to pray for the dead. The idea is to remember and celebrate the life of loved ones.

In Candomblé houses, Omolú is the orixá that ushers those passing from life to death. He also is the owner of the cemetery and is sometimes propitiated on this day.

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November – The Month of Black Consciousness

In November, Bahians will embark upon a month of recognition of Black history and cultural awareness. Much like Black History Month is celebrated in the month of February in the U.S., November is considered Black Consciousness Month in the state of Bahia in Brazil. November 20 is also known as Dia da Consciência Negra (Black Consciousness Day) and is celebrated as a holiday in many cities across Brazil as a reflection on the legacy of resistance to slavery and the fight for social and political justice. Activities are planned all throughout the month in order to bring awareness of Black history and the contributions of Afro-Brazilians to society as well as pride in African ancestry, identity, and heritage. Advocates of the Black Movement hope this month-long recognition will also raise awareness of the continuing struggle for Afro-Brazilians as they fight for equality in the workplace, media, education, and justice system.

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Pelourinho

Pelourinho is perhaps the most famous neighborhood in Salvador. It is a vibrant city center where restaurants serving up delicious Bahian cuisine, artisanal products, baroque architecture, religion, cultural centers and the world-famous drummers of Olodum are all united here.

As the first capital of the Portuguese colony in America, Salvador established a ‘model’ for slave labor and erected gallows with various whipping posts in public areas of the city to expose and punish slaves. Originally installed in squares such as the Terreiro de Jesus and the current squares of Tomé de Sousa and Castro de Alves, as a symbol of the authority of justice, the gallows ended up lending their name, Pelourinho (which means ‘little post’ in English), to the area as a whole – perhaps the most integral part of the city’s historic center.

The construction of churches and manor houses in the city increased in the 17th century, a period in which the wealthy plantation owners demonstrated their aristocratic authority in the elaborate architecture of their houses. The buildings constructed by the religious and third orders and the sumptuous mansions around the Terreiro de Jesus, in the 18th century, accurately reflect the various social strata of the city. In the 19th century, business gradually took over the traditional houses of Taboão and thereafter throughout the city center. Numerous liberal professionals came to live and work in the area, and consequently the aristocrats moved to other parts of the city.

Pelourinho is also a great source of inspiration and a stage for both Brazilian and foreign artists, such as Caetano Veloso and Paul Simon; Michael Jackson once filmed scenes for a music video there. There are also some of the best restaurants and liveliest bars of the city.

The cultural richness accounts for the colorful diversity of Pelourinho. On Tuesdays, various shows are performed, such as the rehearsal of Olodum, which attracts thousands of people to the streets and squares of Pelourinho.

Pelourinho was also classified a Cultural Patrimony of Humanity by UNESCO in 1985.
Source: bahia.com.br 

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Exú – Messenger of the Orixás

Exu Laroye

In Candomblé and Umbanda, Exú is the orixá that serves as the messenger between humankind and the orixás. When offerings are made to the orixás, Exú receives his first so that he may deliver the axé of the offerings and messages to the other orixás for them to receive and accept it. Therefore, he is always honored first in any ritual or ceremony. Exú is the opener of doors (opportunities) and owns the crossroads. He is the spiritual energy of communication, choices, as well as cause and effect. Though he is seen as playful and childlike, he also delivers justice to those who choose the wrong path and don’t offer sacrifice for their blessings, therefore called a trickster. Yet, he is good to those who are good to him and remember their obligations to God (Olodumarê) and the orixás. In Brazil, you will commonly find plates of food and candles left in the streets at crossroads. These are offerings to Exú as a petition to open the way for blessings and prosperity.

 

Salutation: LAROYE!

colors: red and black

Weekday: Monday

Food: Yam, yellow corn flour Pade with palm oil

Symbols: Erect phallus

Elements: Earth and Fire

Domains: pathways, crossings, doorways.

Day: August 24

Syncretism: St. Anthony or Archangel Gabriel